The recovered Louvre transcript contains 8,701 messages and spans April 8, 2020 through July 3, 2026.
π¨ THE LOUVRE
post your art. accidentally build the visual culture of a six-year mafia.
THE ART ROOM STARTS REMEMBERING PEOPLE.
Drawings and posters become another way the group sees itself and who belongs in the frame.
APRIL 2020 β POST THE ART. THEN PIN THE ART.
JULYβAUGUST 2020 β THE ART ROOM HAS A CONTAINMENT INCIDENT
AUGUST 15 β "IN THE MEANTIME I MADE A MAP QWQ"
CREDIT THE ARTIST. ASK BEFORE YOU WALK OFF WITH IT.
THE SERVER ICON IS BEING DEBUGGED IN PUBLIC
MARCH 2023 β LOOK WHAT WOLFIE MADE
KAEDE WRITES THE SPEAKER NOTES
2025 β "IT DIDNT FEEL UL ENOUGH"
LOUVRE β PR IS NOT A DEPARTMENT TRANSFER. IT IS AN EVOLUTION.
SOURCE NOTES 9
On April 18, 2020, Snow wrote `oh I just pinned all the stuff people posted` after generating a run of pin events in Louvre.
On August 15, 2020, Mugen wrote `in the meantime i made a map QwQ`, linked the UL Discord Tour, and added `for the lost souls`; this is the earliest currently recovered Tour/map receipt.
This is creation-like/operational evidence for the map/Tour, not a Discord audit-log channel-creation timestamp.
Louvre preserves explicit 2020 authorship norms: Gilli requires credit when sharing another artist's work; Cookie asks people not to steal his art; Mugen asks WolfPhenix for permission to share her work with credit and Wolf agrees.
On March 14, 2023, WolfPhenix posted the UL anniversary artwork `UL_Mafia_Ani.jpg`; Mugen later wrote that it contained Officers and Snipers and that Wolf had drawn 19 people.
The exact recovered `UL_Mafia_Ani` attachment is 7,763,429 bytes with SHA-256 `1aabe4bac7828d25caaefb2ed99c60e48873074963891093c210b17f13aed988`.
On March 19, 2023, Kaede explicitly said WolfPhenix's anniversary drawing made him feel included with a family he loved and thanked her for making a space for him among everyone; Wolf replied by thanking Kaede for being part of their family.
On May 22, 2025, WolfPhenix posted a three-stage UL doodle process and said the first version `didnt feel UL ENOUGH`, so she redesigned it.
Reading Louvre as upstream of PR is an interpretation grounded in earlier Louvre pinning, credit/permission practice, technical collaboration and server-graphic production, followed by PR's later formal preservation and culture-production work.
This is a functional genealogy, not a claim that Louvre was formally renamed into PR or that the same staff controlled both rooms.