you were not expected
to come down here.
Upstairs tells the story. Down here are the exports, surviving boundaries, corrections, receipts, and enough file archaeology to explain why the story says what it says.
WHAT SURVIVED
The public archive: rooms, screenshots, posters, films, exports, relics, and the surviving boundaries around them.
THE OBJECTS
Artifacts and visual material with enough context to be more than a thumbnail dumped on the floor.
WE FUCKED UP
Corrections, identity repairs, revised interpretations, and things that stopped being true after better material arrived.
SHOW RECEIPTS
Source trails remain available beneath biographies, rooms, episodes, and lore without forcing every visitor to read chain-of-custody prose first.
not every receipt goes upstairs.
Source rooms carry default clearance. Public biographies may tell the safe, person-first story without exposing every private screenshot or intimate detail. PUBLIC, MEMBERS, BASEMENT, and SEALED are backstage access states—not dramatic badges pasted over the prose.
silence is not an exit.
A last surviving appearance does not automatically mean somebody left. A room export ending does not prove the room died. Public copy says what the archive can support: first spotted, last seen, or the surviving record goes quiet.