PR / CLUB MEDIA ARCHIVE

The reconstructed PR package contains an older "poster-dump-for-officers" corpus running from December 2020 into 2024 and a "🎬│club-media-gallery" corpus running from October 2021 through August 2026. Both transcripts parse and the media corpus is usable.

Mugs confirmed a room-specific attribution rule for the officers-only Poster Dump: **whoever posted the creative work made it unless the post explicitly says otherwise.** That exception applies to this creator workroom; it does not turn Wall uploaders into artists.

The account "." / "nai6965" is Han and carries the formal **Underlords Media Director** title in the archive. Mia ("opalite.honey", display "༯") later becomes a major informal PR participation engine, but that does not make her Media Director.

The media package should not be treated as a pile of independent attachments. Some files form visible lineages: a blank/shared canvas accumulates marks across successive reposts; a finished doodle image becomes an official banner; a banana collaboration becomes a Raja poster; an event poster resurfaces years later and is recognized by the people depicted in it. The archive therefore supports **artifact genealogy** alongside message chronology.

Between June 6 and June 10, 2023, the doodle banner appears in successive image versions posted by Mia and then multiple members. The conversation itself explains the mechanics: save the latest copy, add a mark, use layers when possible, repost the new current copy. Members explicitly worry about version forks because an outdated file could remove somebody else's contribution. Near-identical later images and repeated base filenames are not noise here; they are evidence of the collaborative process.

The reconstructed package carries two Unicode filename-header warnings on the JSON names. They do not prevent either transcript from parsing, but the package should not be described as warning-free.

Counts and file mechanics are intentionally not the headline here. The useful source-level fact is continuity: the same media spaces preserve promotion, creative process, collaborative art, old-banner nostalgia, reunion material, and eventually explicit history-making.